Thursday, December 30, 2021

"Thaji" by Malinda Seneviratne


 

Thaji[M1] 

 And one day

when applause has died
and the delighted have burdened
tired streets with leaden feet
[M2] ,
when wings imagined are recognised
when the earth seems too small a platform
when you’ve surprised the sun
[M3] ,
then, in a mirror made of a Tuesday
or a month erroneously erased,
every dance choreographed
and those yet unborn
will in suspended disbelief confess
‘We were in your eyes blueprinted.’
[M4] 

 

10th October 2021


 [M1]Loaded with so much pathos in the gentle understanding voice of the poetic persona.

 [M2]Temporary nature of human attention span our constant need for fresh entertainment to boost our jaded palates and the impact of our fickleness on the yesterday’s favourites

 

The impact of the “fall” on those whom we have raised so high with our applauses, subscriptions and likes when they are no longer there to keep them in that rarified atmosphere occupied by the stars.

 [M3]I believe these lines allude to human vanity and the myth of Icarus. 

 [M4]The utter oblivion which had resulted in suicides, drug addiction among they yesterday’s stars?

"Carnival of the Vague" by Malinda Seneviratne


 

Carnival of the vague[M1] 

Raindrops wearing bird-song shoes
intermittently measured cobblestone byways,
a ghost train whistled to a ship without sailor —
the wind told the ghost guard ‘undeliverable’
and the ghost engine driver told the railway track
‘we know better, don’t we?’
An encyclopedia opened to an empty page,
poetry flew from a television screen,
the turmeric turned in silence in accommodating soils,
burnt out matchsticks decided to set up camp
and a caterpillar in a faltering voice asked
‘can I stay in your plantain peel tent until the night is done?’
A lipstick stain danced around the rim of a glass
a gaze turned red wine into white
and memory-blush made it crimson, by and by;
some words were probably said, but I am not sure
for there is no stall for convictions
in the carnival of the vague.

15th July 2021


 [M1]A Carnival is an in-between space where one lets go and have fun.

Thing that are not acceptable in “real life” are the norm in carnivals.

In Latin America, one might look at carnivals as a celebration of life.

However,  the Joycean carnival in this poem  lacks the colour, sparkle and the sounds associated with such occasions

1.      Raindrops wearing birdsong shoes walked along byways paved with cobblestones – that’s a beautiful visual/auditory image – something I would love to claim as my own

2.      A train that was no more tries to catch the attention of a ship without sailors – it wants the ship to deliver something, it seems

3.       But the wind carries the ships message and delivers it to the guard of the train – the message is undeliverable

4.       The ghost train is not put off

5.      Next the focus shifts to an empty page in an encyclopedia – encyclopedia is something we turn to answers   but not this.

6.       There is no grace and art in our soul so there is no poetry on TV

7.       Things and creatures personified – quotations make things more real  - this is what we would come to see in a carnival – the bazaar

8.      A lipstick stain danced around the rim af a glass – visual image

9.      A vague sense of dissatisfaction permeates the entire poem

"Akbar Bridge" by Malinda Seneviratne

 


පරපුරෙන් පරපුරට පොදු වූ
එනමුත් අද්විතීය යැයි සිතන [M1] 
ආදරය, අනාදරය
රැවටිල්ල පැටලිල්ල[M2] 
හොඳට දන්නා අක්බාර් පාලම[M3] 
දෙඩවුයේ නැත මා සමග;
එදා මෙන් අදත් එලෙසම නිහඬව
ඓතිහාසික නිශ්චිත කම
සහ පැවැත්මේ තර්කය මතම
දැඩිව, දැඩිවම [M4] සිටියා පමණි[M5]  --
කෙඳිරිල්ලක්, හුස්මක්, සුගන්ධයක් ලෙස
හිරු කිරණ, මුරකාවල් සහ උකුසු ඇස් අතරින් 
වැළඳ ගැනීම සහ දියවීම[M6]  වෙත
පිය නගන්නට ඇයට[M7] .


 [M1]Paradox පොදු vs අද්විතීය -

 it is a grown up voice revisiting a beloved/familiar landmark and looking at the present occupants with cynical benevolence 

 [M2]Whose actions are these? The voice’/ those of the present generation or both?

 [M3]Personification – an uninvolved witness. By choice – is it because to get involved is to feel and feeling is pain? 

 [M4]Repetition of this word – stresses the determination of the bridge to stand aloof of the surrounding drama

 [M5]Use of aposiopesis – breaking  off due to heightened emotions

 [M6]P

 [M7]Is it the firmness of the bridge that makes it possible for the woman to embrace and unite with her lover?

"Imagine" by John Lennon


      Composed in 1971 – the year I was born - the song 50 years old. However, it has a timeless relevance. The concepts of heaven and hell prevents people from living in the moment – they are forever looking back and forwards never enjoying here and now. Therefore, they are unhappy.  He identifies the artificial geopolitical and religious divisions as the reason to kill and die – getting rid of both would mean people living in peace. He steals words right out of the mouths of his critics when he says “You may say I’m a dreamer”. However, he says, he is not the only one. The third stanza ends in a positive note with Lennon hoping the listener would adopt his values.

·         Fourth stanza presents a Utopian worldview in which people are sharing things. The repetition of the term ‘people’ makes the song homocentric. The last stanza is a repetition of the third stanza in which he once again expresses his wish that reader-listener would join him in upholding his Utopian worldview  

·     "Imagine" is often referred to as an anthem to peace. Many also describe "Imagine" as an atheist anthem. Lennon expounds a world with no religion, heaven and hell. In his personal life, he never committed himself to any religion.  Upon its release the song's lyrics, particularly the line "Imagine there's no heaven", created shock waves. Lennon once described the song as "anti-religious, anti-nationalistic, anti-conventional, anti-capitalistic, but because it is sugarcoated it is accepted". "It's virtually the communist manifesto," he added half-jokingly.

·        Following the September 11 attacks in 2001,the largest owner of radio stations in the United States, circulated an internal memo containing a list of songs that program directors felt were "lyrically questionable" to play in the aftermath of the attack. "Imagine" was one of the 164 songs banned.

"The Glove and the Lion" by Leigh Hunt

Leigh Hunt was an early 19th century English critic, essayist and poet. He was the centre of the Hampstead-based group known as the "Hunt circle". The ‘Hunt Circle’ included Charles Lamb, Shelley, William Hazlitt, Benjamin Haydon, Keats

The Glove and the Lion

·         The poem consists of four stanzas. Each stanza made of 6 lines rhyming aa bb cc. Each line has 13 feet (?) The spatio-temporal setting of the poem harks back to time removed from Hunt’s own time. The poem is peopled by kings, noblemen and their ladies – giving the poem a pre-Renaissance flavor.

·        The experience Hunt offers in the poem is far removed from the common walks of life. We are presented with a royal court gathered to watch battle between two kings of beasts. Ensconced in their comfortable seats the courtiers watch the spectacle staged for the king’s benefit from a safe distance

·         Of course, in many of Hunts’ poems one may read a secondary level of meaning metaphorically presented – this could be a metaphor for a battle between two powerful people. In the midst of the spectacle the poet offers us a glimpse of another more personal battle – the battle of hearts between Count de Lorge and the lady whom he is attracted to. The poet goes through a list of words that offer the readers an idea of the values upheld by the people of his poem: pride, gallantry, valour and love

·         The second stanza presents a series of powerfully drawn visual images. The poet uses alliteration ("ramped and roared") and paradox ("horrid laughing jaws"). In addition the short verbs shows how quick the beasts were moving:  "They bit, they glared, gave blows like beams". The repetition of the airy /w/sound in “wind went with their paws” too highlights the speed of the beasts’ movements. The use of assonance in “wallowing might and stifled roar they rolled on one another” creates an auditory image - the roar of the lions in the pit. The direct quotation of the opinion of the king "Faith, gentlemen, we're better here than there" while adding a dramatic ballad like quality to the poem underscores the ferociousness of the battle between the beasts

·         In the next stanza the focus of the poem shifts from public to personal. The lady De Lorge was attracted to tries to score a point with the audience by making a display of the power she has over him. Hunt cleverly hides his opinion of the serpentine quality of the woman among the flattering words he uses to describe her: her “sharp bright eyes … always seemed the same”. She puts him on the spot by dropping her glove into the pit where the lions fought.She wants to massage her ego even at the risk of endangering her lover’s life and damaging his reputation. Not to retrieve the glove dropped by the woman into the pit would reflect badly on his manhood. De Lorge had no choice, so he does what he had to in order to save face – but he insults the lady who had set such a by throwing the glove at her face – practically slapping her. The king, while an aficionado of blood sports, has a sensitive soul. He denounces the lady’s action publicly as vain

"Watching the Wheels" by John Lennon

·        “Watching The Wheels” is interpreted by many as an autobiographical song composed by the ex-Beatle John Lennon. Lennon was a what he called a "househusband"  between 1975 and 1980. He retired from the music industry and concentrated on raising his son Sean. According to him, people were confused by his choice

·        The song was written in 1980 and was first released in the US and then in the UK, the same year as a part of the album Double Fantasy. The genre of the song is pop rock and it has a length of 3.30 minutes. 

·        According to a Lennon aficionado, this song was written when he was addicted to watching a popular late-night religious television program called, 'The 700 Club'.

·        When he sings "No longer riding on the merry-go-round" Lennon seems to be talking about no longer clinging to his youth. The song is about crossing from a prolonged youth  into adulthood as a father

o   and self-awareness as a middle aged human being who has come face to face with his own mortality.

https://www.youtube.com/watch?v=uVXR2LYeFBI

People say I'm crazy
Doing what I'm doing
Well, they give me all kinds of warnings
To save me from ruin
When I say that I'm okay, well they look at me kinda strange
"Surely, you're not happy now, you no longer play the game"

1.     From the very outset of the song Lennon creates a dichotomy: it’s a song about “people vs. I”. Then, who is he singing this song for – One gets the idea that this is meant for like-mined people. The term ‘People’ can be read as a vague generalization or a direct criticism of the dominant ideology of the White Anglo- Saxon Protestant West. It is in that West, sayings such as “idle mind is the devil’s workshop” were created and novels such as Robinson Crusoe were prescribed as course material for the shaping of budding manhood.

5.     However, the person in the song, presumably Lennon himself, is not idle – he is “[d]oing what he is doing” :

a.     Watching shadows on the wall

b.     Watching the wheels go round and round

6.     But none of the things done by the lyrical person meets with the approval of  “people”.  “People” are concerned for the well-being of lyrical persona and issues warnings to “save” him “from ruin”. What he is doing – retiring and raising a child which is considered as primarily women’s work – is considered unproductive and slothful. And we know sloth is one of the seven deadly sins in Christianity.

9.     The lyrical persona assures “people” that he is “okay” but far from being reassured by the assurance, they look at the him in a way he terms as “kind of strange”. People have come to the conclusion that the lyrical persona has become odd, and oddness is something society frowns upon and is something society is often determined to change. Hence we have witch hunts and the burning of heretics.     

People say I'm lazy
Dreaming my life away
Well they give me all kinds of advice
Designed to enlighten me
When I tell them that I'm doing fine watching shadows on the wall
"Don't you miss the big time boy, you're no longer on the ball?"

1.     The second stanza too begin in the same way the first does with the exception of “crazy” being replaced by “lazy”. This time the accusation is that the lyrical persona is dreaming his life away. In the third line, instead of issuing warnings, this time they are offering “all kinds of advice/ designed to enlighten” the lyrical persona. There is a wealth of ironic humour in the 3rd and 4th lines of this stanza. Once again the lyrical persona tries to reassure the concerned ‘people’ – he tells them that he is “doing fine watching shadows on the wall”.

6.     In the title, he was satisfied with watching the wheels go by– if we are to take the term wheels literally then we might read it as an example of synecdoche – wheels stand for vehicles; instead of being in them and travelling all over the world as he used to, the lyrical persona is content to watch other people doing what he used to. He could very well be seeing what he used to be in them. People on the other hand seem to think that the lyrical persona is being childish in his withdrawal from playing the ball as indicated by the use of “boy” to refer to the lyrical persona.  

8.     In this stanza, instead of watching the “real thing” he is content to watch their shadows on the wall.

9.     I don’t know how much of a Classicist Lennon is but this reminds me instantly of the Allegory of the Cave Plato uses in the Republic to illustrate the difference between his world of Ideas and the world he lived in. If this is the case, then there is a deep philosophical implication in the reference to watching shadows. People think that they are watching the real thing. However, the lyrical persona knows what people are seeing is nothing but a shadow “twice removed from reality” as Plato puts it. The entire world is a world of shadows of the world of Ideas and Lennon knows it and he looks at what is in front of him with that understanding. So, the irony of people who have no idea that they are shadows and what they see shadows designing to enlighten a person who has reached a much higher state of self-realization is hinted at here.

I'm just sitting here watching the wheels go round and round
I really love to watch them roll
No longer riding on the merry-go-round
I just had to let it go

1.     In the third stanza, the lyricist return to “wheels” and this time they are going “round and round” indicating the monotonous repetitive nature of life. Caught in the rat race we are hardly able to breath let alone philosophize the nature of our existence.

3.     One has to step outside the grid to see what is happening within the grid – this is what Ascetic Siddhartha did. It is not my intention to compare John Lennon with Ascetic Siddhartha, but both had so much and it is in having so much that had made them appreciate simple life.  No longer caught in the rat race, the lyrical persona is able to appreciate what he had missed out when he himself was going round and round on/in the wheels

5.     In using the term merry-go-round the lyricist implies that the time he spent riding wheels was quite a lot of fun, but it was the kind of fun better suited to children. On has to grow up sometime and leave childhood behind, so he “had to let it go. The use of the term “had to let it go” implies that the decision to step back was not without pain.       

Ah, people asking questions
Lost in confusion
Well, I tell them there's no problem
Only solutions
Well, they shake their heads and they look at me, as if I've lost my mind
I tell them there's no hurry, I'm just sitting here doing time.

1.     Still people are not ready to take his word so they keep on asking questions to clear their own confusion. Once again he assures that his stepping outside of the grid is not a problem but a solution to a problem. Still they think they know better and pity him thinking he has lost his mind. He once again tells them that there is no need to rush about

5.     The second part of the last line once again hints at deep self-awareness –“Doing time” is a slang term for serving a prison sentence. He seems to have understood that life is a sort of imprisonment – we are trapped within our body and one needs to sit and meditate on how to correct that situation instead of rushing around like headless chicken.

8.      Once again, there is something Platonic in this seemingly simple statement. In one of Socratic Dialogues related by Plato, Aristophanes, the Greek comic playwright states that human babies were beings from the world of Ideas trapped by the honey of generation into being born in the same way cheese is used to trap mice in a trap.

9.     According to Aristophanes this is why babies cry at birth. They resent the imprisonment within a human body and they want to break free and return to their original pure energy form – which is a little like how Buddha describes genesis in Agganga Suuthraya. At this point Lennon seems to see himself as someone “betrayed by the honey of generation” and had become trapped and imprisoned within his body.         

I'm just sitting here watching the wheels go round and round
I really love to watch them roll
No longer riding on the merry-go-round

1.     In the penultimate section of the song the third section is repeated verbatim:

I just had to let it go
I just had to let it go
I just had to let it go

2.     The last part of the song is a repetition of last tine of the third section of the song: I had to let go. It is repeated three times. The repetition points to the pressure of being on the wheel and the deep desire to step off for the sake of self-preservation. Incidentally, letting go – both literally and metaphorically - is one of the key aspects of Buddhism in order to realize Nirvana.  Here, he is letting go of the blatantly materialistic aspects of his life in order to find himself.   Many of us are struggling to obtain the things they believe will define and complete them and Lennon who had it all, while defending his life choice, is trying to tell them what people think that they needed was nothing but delusion for life itself is a shadow on the wall.“Help!”, “ Nowhere Man”, “Working Class Hero” and “Imagine” – some of his other songs along the same line of thoughts

5.     Interestingly, Lennon was murdered by Mark David Chapman while Lennon was signing his copy of Double FantasyLater, Chapman was recorded in police custody reciting the line "People say I'm crazy" from the song “Watching the wheels”.

 


 [M1]What do they stand for – is he talking about literal wheels or metaphorical wheels ?

A discussion on මතක මග මගහැර by Sandya Kumudini Liyanage

By Anupama Godakanda                                 anupamagodakanda@gmail.com