Saturday, July 14, 2018

Commonwealth Poetry: Derek Walcott, Nissim Ezekiel and Sitakant Mahaputra




·         Contains poetry written by the poets of the former colonies of Britain
·         The poets are trapped between their national culture and their westernized selves
·         Such people were called Brown Sahibs by Homi Babha
·         Edward Said calls them hybrids
·         Only their skins are brown; in their behaviour and loyalties, they are very much English
·         Alienation is a repeated theme in commonwealth poetry

A Far Cry From Africa – Derek Walcott
·         Being a mixed blood who is given an English education Walcott is a hybrid Brown Sahib
·         The poem captures his torn loyalties towards his African heritage and westernized upbringing  
·         The West Indians are decedents of the slaves brought from Africa
·         At the time the poem was being written Africans were fighting for independence from the White colonial powers
·         A wind is ruffling the tawny pelt/ Of Africa – the winds of rebellion is awakening Africans
·         However, both Mau Mau freedom fighters and the British were committing violent activities – Corpses are scattered through the paradise
·         Back in England, academics are justifying colonialism
·         According to the poet the “upright man” had reduced himself to an animal and “inflict pain” on other men
·         In the war between Africans and the Colonizers, Walcott cannot take a side
·         He is “poisoned with the blood of both” is “divided to the bone”

Themes
·         Colonization, freedom struggle, and violence
·         Man’s capacity to inflict pain on his fellow men
·         Trauma of hybridity

Techniques
·         Visual images: A wind is ruffling the tawny pelt/ Of Africa
·         Similes: Kikuyu quick as flies, savages, expendable as Jews
·         Symbols: gorilla – Africans, superman – the White

Night of the Scorpion – Nissim Ezekiel
·         The poem offers an insight to the behaviour of a small community in India
·         The point of view is of a child’s
·         The narrator’s mother is stung by a scorpion
·         Villagers come “like a swarm of flies” and offers superstitious advice and opinions
o   The scorpion had bitten the woman due to her karma
o   Her sins would be cleansed by the poison 
o   The poison would cleanse her of her worldly passions
·         The narrator’s father is a sceptic but he turns to “every curse and every blessing” in his desperation to cure his wife
·         He is purely an observer who is detached from everything that was going on
·         He distances himself from the villagers by reporting what they said as “they said”
·         As in the case of Walcott, it is Ezekiel’s hybridity as an westernized Indian Jew that allows him to stand aside and observe his community

Themes
·         Rural superstitions
·         Motherhood

Techniques
·         The poem is narrated in the form of a flashback
·         Language is simple and conversational
·         The first 43 lines form a single stanza – a narrative of the incident
·         The last 3 stanza – mother’s statement – makes the second stanza
·         Mother’s statement is the lyrical part of the poem
·         Absence of rhythm or rhyme – easy to create visual images
·         The crowd cast a shadow of a huge scorpion

Grandmother – Sitakant Mahaputra
·         Mahaputra is an Indian poet who writes about the impact of modernization and urbanization on basic human relationships  
·         The grandmother in this poem had asked the narrator’s father come to see her – she has “become an eroded shore”
·         But due to his obligations in the city, he had not gone to see her
·         By the time he had finally reached the village, even the final rites for the dead mother had been performed
·         Feeling sad and guilty, the narrator’s father cries
·         However, being a product of a western education he is unable to express his sorrow freely
·         His face to the wall, his back to us/ Father wept

Themes
·         Break down of human relationships due to urbanization and modernization
·         Impact of westernization – inability to express one’s grief openly

Techniques
·         Presented as a recollection of a life-changing day
·         Conversational tone
·         Simple language
·         Similes – the bus is a match box and the passengers that are tightly packed into it
·         Metaphor – eroded shore – an old woman close to her death 

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A discussion on මතක මග මගහැර by Sandya Kumudini Liyanage

By Anupama Godakanda                                 anupamagodakanda@gmail.com